Theory and History of Conservation
Coordinator: Isabelle Brajer
Assistant Coordinators: Rebecca Anne Rushfield, Muriel Verbeeck-Boutin
Contemporary murals conservation in Thai and Sri Lankan Buddhist monasteries: some thoughts on culturally integrated conservation policies
Identité, nation et patrimoine culturel. Perspectives sociologiques pour la conservation-restauration
A century of paper conservation and the development of the professional status of the conservator
The conservation of cultural heritage as a factor in economic development and national sovereignty: case studies of Hellenic conservation programs in Hama (Syria)
De la restauration des peintures comme référence à une approche diversifiée. Esquisse d’une déontologie concernant les techniques qui se situent à la limite de la peinture et des arts graphiques
Recognizing the interdependent relationship between heritage and its wider context
Bridging controversy: the contribution of an international commission of experts to the 1950–51 study and treatment of Van Eyck’s Ghent Altarpiece
Envers une stratégie de conservation pour œuvres éphémères : entre le matériel et le conceptuel
To preserve the impossible – the protection and conservation of contemporary art using the example of installations
A new method for assessing the value of collections
To err is human: understanding and sharing mistakes in conservation practice
Two treatment approaches to one Dutch militia group portrait
Using decision diagrams to explore, document, and teach treatment decisions, with an example of their application to a difficult painting consolidation treatment
What do you see there? Dialogue between art historians, conservators and scientists
Valuation of museum collections in Estonia: impact on conservation practice
‘Worth a hundred Milibands’. Conservation’s role in embracing cultural identity at the V&A
Historical restoration recipes: the cleaning of oil paintings 1600–1900
Reflections on a biographical approach to contemporary art conservation
Tuning voices from different professions. Interdisciplinary dialogue around the Sarcophagus of Frederick II in Palermo (Italy)
Jean-Gabriel Goulinat, chef de l’atelier de restauration des peintures des musées nationaux (1935–1971)
